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Gribble-Neal

Iris Gribble-Neal

Book Review: A Year On The Avenue

The Athens Avenue Poetry Circle, a collection of poets, has produced a tight book of poetry with A Year On The Avenue. Each author possesses an individual voice; yet the voices blend to form a harmony of modern poetry, a song, not of summertime, but of our time.

David Hunter Sutherland leads off with his particular brand of philosophy, sending the reader back to metaphysical days, not in tone but intent. The language he employs is rich, difficult at times, and even harsh. But the view of his place in the present is clean, stripped of artifice, and offered to the reader in metaphor and simile. His first poem, "Morpheme," sets the mood. "Literate your charms of singular inflection:/drop the matter, drop the act, let go!" Good advice for the reader. Sutherland proceeds to show life as he sees it in a manner that will resonate with many readers.

The next poet in the collection is Doug Tanoury. His poetry does well what poetry is suppose to do; it takes the reader in for a close-up. "Bathers" in three stanzas takes a photograph of lovers bathing in the first stanza, frames them in the second, and zooms in for a close-up in the third. Tanoury's poetry covers the seasons, particularly winter, with crows clinging to the lines as if they were branches. And he mourns, as poets do, the lack of poetry in that life he must lead in order to write: "in the reception lobby waiting at/the elevators I have forgotten a/Red wheelbarrow" (taken from "Red Wheelbarrow").

Karen Dowell infuses her poetry with the personal, with love, and with a woman's wry humor. "Sunday Domesticity" describes a familiar scene in American households, "Emmett limps through another play with aching ankles, as she "brush(es) plump leaves," and in the end, "The smell of victory and fresh bread mingles in our house." How refreshing it is: a scene of happy co-
habitation. It does exist and can be written about with expertise. For a change of pace, there is "lwannaplay jazz," and the reader sits in on a practice session, all flats and sharps, "iwannaplay jazz/so bad/my head aches.

Following Dowell is another woman poet, Linda Leavitt. Unafraid to face the voyeur in her writing as well as the reader, "Walking to Gunnison Beach" uncovers an honest spirit. She is "unwilling to shed my clothes to satisfy/the raw curiosity of beach-walkers,/skin-stalkers,/the likes of me. Leavitt's poems pulse with energy; everything is on the move. People scamper, sway, sweep, and dance. They "knock(s) words about/like balls on a billiard table," and so does this dynamic poet.

The next poet in line, Mike Timonin, rushes the reader headlong into "Band Wart," a long poem of jazz and heavy metal. For a change of pace, "Death Came to Mow My Lawn" is a irreverent look at death, 1990's style: "Death drives a Ford Mustang--...I know this, because it is parked/just outside my house." This Death doesn't stand a chance against Mike Timonin. He is willing, also, to show another, more serious side in "Fool's Mate." "You have your fool, if you want him./Or, if not, I am trapped,/forever one move from game's end.

A man of few but carefully chosen words, Paul Kloppenborg proves the power of brevity. In his poem, "6 Words," he tells a story in just that - 6 words - and ends with the finality of "gone." In a beautiful piece to veterans of all wars, Kloppenborg describes the man we see selling poppies - the one we forget until he is once again on the street selling poppies. "His baggy-suited eyes bayoneted my lapel/with lessons I won't ever properly say."

Tessa Gonzalez acts as bookend on the backside of this book and leaves the reader with memories of the nightmares and sleep, dreams and blindness, of "Shades." Gonzalez displays poetic power in "Vedder's Operetta Pantoum," a form poem which draws the reader in and keeps the reader wrapped tightly in form until the release,"and he can't live with her in his arms. It is so fascinating, the reader returns to 'Go' for another ride.

Although this collection runs through the scale of poetic subjects, it remains true to a concise and well-crafted vision. So curl up in a favorite chair, settle back, and be prepared to enjoy many hours with the Athens Avenue Poetry Circle.

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